Resisting Extinction offers practices for living and dying together on a damaged earth.
Resisting Extinction invites us to look around and notice what we are losing. Together our bodies live inside this ecological crisis. This ecological crisis is an identity crisis. Everything is shifting. Recognizing grief as a legitimate response to this multi-species mass extinction. It is a vital step to expanding our understanding of what it means to be alive in this swiftly transforming moment. We can’t rely on models that perpetuate this crisis. We need to practice embodied knowing to repair our relational field with this more than human world. This is an opportunity to move collectively towards creating more ecologies of reciprocity. We must hone our skills. to improvise, to play, to experiment, to be receptive, to be in the unknown and trust we have the resources in our bodies to negotiate, survive, and thrive.
Resisting Extinction unfolds as a series of three experiences:
- weather walk is a one-on-one performance journey. We will transform our small talk about the weather.
- in the missing the landscape comes alive, haunted by critically endangered multi-species beings.
- dying and decomposing practices allow us to collectively practice for potential climate realities.
“…like an extended science lesson where I get to feel my body. Resisting Extinction became a ritual where I could reflect on the climate crisis and it’s consequences.” Marte Reithaug Sterud, Norsk Shakespeare Tidsskrift
“Bieringa and Ramstad are deeply committed to their practice, to conversations, to inviting participants to connect more fully with their bodies to face dis-ease and the pains of our time. Its gruelling, honourable work as they grapple with the question of how this ‘practice’ can lead to action.” Lyne Pringle, Theatreview
“sometimes you go to see art and you know that this experience will follow the rest of your life … its changing something inside me … ” interview with audience Ellen Hageman, November 17, 2022
“A flight of kakas, orange armpits flashing, herald Bieringa’s strong articulate voice as she delivers an intricate informed text about the process of drowning. It is an horrifically beautiful thought experiment – it is astounding how these states can nestle so closely with each other.” Lyne Pringle, Theatreview
“This production’s awareness of the environment and the ecological crisis takes on a rather experimental form in this dance scene, which distinguishes it from most of the works that have come out in recent years. This time, site-specificity is not merely in the service of decoration or showmanship: the site amplifies the theme, and the production is resonant of people’s direct experience of nature, albeit directed by the performers. The whole action is engaging and practical rather than distantly spectacular.” Iiris Viirpalu, SIRP