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An Engaging, Irony-Free Foray into the Making of Performance

An Engaging, Irony-Free Foray into the Making of Performance

By September 25, 2013December 2nd, 2018Press

Author: Camille Le Fevre

Laurie Van Wieren has done something wonderful and original with her newest curatorial project, Monday Live Arts: She’s made the making of performance fun, enlightening, and participatory for viewers. “It’s real,” she enthused after the show on August 5. “I tell them, ‘Keep it real.’ And the configuration [she gestures, marking out the short rows that form a box around the center of the studio where most of the action happens] encourages that, don’t you think?”

“Them” are the four performers or groups she selects for each show, presented on the first Monday of each month in the studio at the Ritz Theater. According to Van Wieren, the series includes “time-based visual and performing arts, events that include a human presence and that question traditional views of the arts using dance, music, performance art, vocals, text, installations, science experiments, and more.”

August’s show kicked off with a delightful venture into the structure and essential nature of the pelvis by BodyCartography Project. Olive Bieringa, a practitioner of Body-Mind Centering®, walked within the center of the space, pointing out the various components of the pelvis on an anatomy model and her own body, encouraging us to feel these bones, joints and movements on our own bodies too—to the ribald laughter of some, squeamish discomfort of others. As she did so, Otto Ramstad moved around the outside perimeter of and through the space. Amusement turned to wonder as Bieringa’s engaging explanations found purchase in Ramstad’s body, twisting, flinging, arching, undulating and turning behind and in front of us.

Yes, do try all of this at home.