We develop and share tools for collective evolution in a time of planetary crisis. Through somatic, dance, choreographic, and curatorial practices, we explore resonant, relational, and regenerative approaches that support the vital materiality of bodies, minds, and the more-than-human world.
Our practice is grounded in embodied experimentation, working with perception, imagination, and collective composition. We approach the body as both material and knowledge-holder, creating choreographic situations in which movement, perception, environment, and relationship continuously shape one another. This generates an artistic language that is intimate, porous, and responsive, inviting audiences and participants to experience questions through sensation rather than representation.
Our research asks how relatedness, entanglement, and codependency can move beyond theoretical discourse to become embodied, sensorially reclaimed, and re-membered through lived experience.
Working across dance, somatic practice, performance, film, installation and curation we value alternative ways of experiencing, making, and teaching. Movement research, somatic practice, and improvisation form the foundation of our choreographic and pedagogical practice. Body-Mind Centering® is central to this work as an integrated, embodied approach to movement, the body, and consciousness.
We are supported and inspired by the work of our mentors Steve Paxton, Bonnie Bainbridge Cohen, and Lisa Nelson. We continue their practices through teaching and transmission, contributing to the care and continuation of these lineages while developing them through our own artistic research.
Our work has been featured in numerous publications, including the first two books dedicated to site dance internationally: Site Dance, the Lure of Alternative Spaces and Moving Sites: Investigating Site-Specific Dance Performance, both published by Routledge.
Our works have been commissioned, presented, and supported internationally by institutions, festivals, museums, and arts organizations including Perform Europe, SITE Sweden, Passage Festival, Dance House Lefkosia, Oslo International Theatre Festival, Norwegian National Museum, San Francisco Museum of Modern Art, Te Papa Tongarewa National Museum of New Zealand, Walker Art Center, American Realness, Dance Theater Workshop, Movement Research, Dance on Camera Festival, TBA/Portland Institute for Contemporary Arts, Anti-Festival Finland, Stromereien Festival Zurich, Lyon Opera Ballet, South East Dance, Cheshire Dance, NZ International Film Festival, Cinedans Amsterdam, Polish Public Television, Maggie Allesee National Center for Choreography, Headlands Center for the Arts, K3 Hamburg, and Les Subsistances Lyon, among others.